Saint-Saëns: Pioneer and paradox, rethinking the composer a

Saint-Saëns was a complex, paradoxical composer who considered himself an eclectic, developed a nationalistic streak and tried not to display private emotion in his music. Tim Ashley makes the case that his originality is too easily overlooked

Saint-Saëns: Pioneer and paradox, rethinking the composer a century on

A Bard Music Festival Weekend of Saint-Saëns - The New York Times

The Legacy of Camille Saint-Saëns - Utah Symphony

PDF) “Composer, Performer, Teacher: Jeanne Barbillion (1895-1992) and the Schola cantorum, Paris”, in: The Routledge Handbook on Women's Work in Music, ed. Rhiannon Mathias (London, New York: Routledge, 2022), pp. 124-135.

Saint-Saëns: Introduction and Rondo Capriccioso, Op. 28 - Isaac Stern, Eugene Ormandy, Philadelphia

Introducing the December 2021 issue of Gramophone

Saint-Saëns: Pioneer and paradox, rethinking the composer a century on

Saint-Saëns: Pioneer and paradox, rethinking the composer a century on

Camille Saint-Saens, Paul Paray, Paul Paray, Detroit Symphony Orchestra, Marcel Dupré, Frances Yeend, Frances Bible - Saint-Saens: Symphony No. 3 /

Saint-Saens: Symphony No. 3 / Paray: Mass for the 500th Anniversary of the Death of Joan of Arc